Closed Rocks (Bronze)

Man

Commence in Closed Position with Closed Hold, Facing LOD
This figure does not use Bounce Action

Step_# Steps Turn Alignment Moving
1 RF fwd   Facing LOD LOD
2 LF fwd, small step   Facing LOD LOD
3 RF crosses behind LF (Latin Cross)   Facing LOD Under Body
4 LF fwd   Facing LOD Under Body
5 RF fwd, small step   Facing LOD LOD
6 LF crosses behind RF (Latin Cross)   Facing LOD Under Body
Step_# Timing Rhythm Position Footwork
1 1 S Closed BF
2 2 Q Closed BF
3 & Q Closed T
4 1 S Closed BF
5 2 Q Closed BF
6 & Q Closed T

1) The steps for the Man are the same as those of the Open Rocks.

Lady

Commence in Closed Position with Closed Hold, Backing LOD
This figure does not use Bounce Action

Step_# Steps Turn Alignment Moving
1 LF back   Backing LOD LOD
2 RF back, toe turned out, part weight (Ronde) 1/8 to R Backing DW DW
3 LF slips in front of RF (Latin Cross)   Backing DW Under Body
4 RF back 1/8 to L Backing LOD LOD
5 LF back, toe turned out, part weight (Ronde) 1/8 to L Backing DC DC
6 RF slips in front of LF (Latin Cross)   Backing DC Under Body
Step_# Timing Rhythm Position Footwork
1 1 S Closed BF
2 Q Closed T
3 & Q Closed Flat
4 1 S Closed BF
5 2 Q Closed T
6 & Q Closed Flat

1) When commencing this figure from step 4, the Lady will omit turn on step 4
2) Because the Lady ends backing DC while the Man ends facing LOD, she will turn 1/8 to R before step 1 of the following figure, including when repeating this figure
3) When dancing this figure only until step 3, because the Lady ends backing DW while the Man ends facing LOD, she will turn 1/8 to L before step 1 of the following figure

Precedes to This Figure

Commenced Facing LOD  
PreBronze Natural Basic; 1-3 Reverse Basic; Side Basic to L (at a corner); Whisk to L (at a corner); LF Stationary Samba Walk (at a corner); 1-3 Criss Cross Bota Fogos (at a corner)
Bronze 1-7 Criss Cross Voltas (at a corner); LF Solo Spot Volta (at a corner); LF Continuous Solo Spot Volta (at a corner); 1-3 Reverse Turn (at a corner); Corta Jaca; Closed Rocks; Foot Change 2
Silver 1-9 Argentine Crosses (at a corner); Maypole turning L
Gold Natural Roll; Samba Locks (at a corner)

Precedes to Step 4 of This Figure

As described in Lady's Note 1

Commenced Facing LOD
PreBronze 1-3 Natural Basic; Reverse Basic; Side Basic to R (at a corner); Whisk to R (at a corner); RF Stationary Samba Walk (at a corner)
Bronze RF Solo Spot Volta (at a corner); RF Continuous Solo Spot Volta (at a corner); 1-7 Corta Jaca; Foot Change 2
Silver Argentine Crosses (at a corner); Maypole turning R

Follows to This Figure

As described in Lady's Note 2

Ended Facing LOD
PreBronze Natural Basic
Bronze Corta Jaca; Closed Rocks; Foot Change 1
Silver Maypole turning R; Open Rocks
Gold Natural Roll
   
Ended Facing DW Lady turns a total of 1/4 before step 1 of the following figure, and Man turns 1/8 to R after her
Gold Promenade & Counter Promenade Runs
 
Ended Facing Wall of New LOD At a corner
PreBronze Natural Basic; Side Basic to R; Whisk to R; RF Stationary Samba Walk
Bronze RF Solo Spot Volta; RF Continuous Solo Spot Volta; Corta Jaca; Foot Change 1
Silver 4-12 Argentine Crosses; Maypole turning R

Follows to Step 3 of This Figure

As described in Lady's Note 3

Ended Facing LOD  
PreBronze Reverse Basic
Bronze Travelling Bota Fogos Forward; Reverse Turn; 8-14 Corta Jaca; Foot Change 1
Silver Maypole turning L; 4-9 Open Rocks
Gold Reverse Roll
 
Ended Facing Wall of New LOD At a corner
PreBronze Reverse Basic; Side Basic to L; Whisk to L; LF Stationary Samba Walk
Bronze Bota Fogos to PP & CPP; LF Solo Spot Volta; LF Continuous Solo Spot Volta; 8-14 Corta Jaca; Foot Change 1
Silver Maypole turning L